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33 UMMA Objects
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View of a partially loaded truck, featuring a bureau mirror that reflects stacked chairs and furniture prepared for moving.  
Walker Evans (American (North American))
Moving Truck and Bureau Mirror
1929
Gift of Mr. and Mrs. Harry H. Lunn, Jr., in Honor of the Centennial of The Michigan Daily
1990/2.47
A man stands in an apron and rolled sleeves in the water door of a building along a canal. Another figure is seen kneeling and reaching down to the water at the left edge of the water door. The building and its reflection fills the frame; the emphasis is on the figures in the darkened opening, along with their reflections, while the upper story of the building is only summarily indicated.
James Abbott McNeill Whistler (American (North American))
The Pierrot
1889
Bequest of Margaret Watson Parker
1954/1.406
This photograph depicts a view from a low perspective of a forest with its reflections in a body of water below.
Bernard Descamps (French (culture or style))
Untitled
1982
Gift of The Morris and Beverly Baker Foundation, in memory of Morris D. Baker, a graduate of The University of Michigan School of Architecture, 1952
2000/2.131
A man ferries a passenger along a river at sunset. The buildings and stone walls along the river are reflected along with the colorful sky above.
Kawase Hasui
Crescent Moon (Matsue in Izumo)
1924
Museum Purchase made possible by the Friends of the Museum of Art
1987/1.268
A photograph of a still body of water, rocks and reeds break the surface. Large trees are reflected on the surface of the water.
Brett Weston (American (North American))
Untitled
1961
Gift of the Ann Arbor Camera Club through the Friends of the Museum of Art
1971/2.123
This is a photograph of an unloading dock for ore located in Wisconsin on Lake Superior. 
Margaret Bourke-White (American (North American))
Ore Loading Docks, Superior, Wisconsin
1929 – 1959
Gift of Mr. and Mrs. Carl R. Withers
2003/2.76
A photograph of a boy wearing a hat and a woman who look at the camera through the window of a car. They sit inside the car, the photographer's reflection and surrounding trees are visible on the exterior windows of the automobile. 
Danny Lyon (American (North American))
Gaucho field meet, Chicago
1965
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2014/2.293
View of a pond with water lilies and reeds.
Eugène Atget (French (culture or style))
Nenuphars
1890 – 1974
Museum Purchase
1974/1.106
This photograph is of two children in an enclosed porch. A young girl rests her head on a ledge, while a young boy stands behind her to the right, holding a toy bow and arrow close to her head.
Rita Bernstein
Michaela and Collin
1998
Gift from the Collection of David S. Rosen MD, MPH
2013/2.95
A nude woman stands with her back to the viewer. Her hands rest on her long dark hair as she gazes into a small, round mirror. 
Edward Steichen (American (North American))
The Little Rounded Mirror
1901 – 1906
Gift of Maxine and Lawrence K. Snider
2012/1.212
This screenprint depicts two sculptures jutting from a pool in the center right of the composition. The pool takes up the bottom half of the print, and shows the reflections from the top half of the scene. Two trees are at the left with a tall building in the background behind them, and a building with large windows takes up the background in the right two-thirds of the composition.
Fran Bull
Lincoln Center/Dusk, from "City-Scapes Portfolio"
1979
Gift of Eugene Schuster
1991/1.66.5
This is a nighttime view of a city on water. Along the horizon can be seen numerous buildings and ships. At center left is a three-masted ship at anchor; along the right side are buildings, incuding domes and a tall tower. Throughout the image, there is an importance given to reflections and the nocturnal setting.
James Abbott McNeill Whistler (American (North American))
Nocturne, from the "Twelve Etchings" or the "First Venice Set"
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.372
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